Even today, her mornings are dedicated to large textured paintings, while evenings are reserved for smaller watercolours and sketches. Alongside painting, she is digitising her academic books so they remain accessible to future generations. Whether through teaching, writing, or art, she believes every phase of life offers another opportunity to create something meaningful.
As she continued exhibiting in local and national art shows, her paintings travelled farther than she ever imagined. Collectors in India, the United Kingdom, and the United States welcomed her work into their homes, while online competitions and national exhibitions brought recognition, medals, and encouragement to continue creating every day.
Her paintings found a purpose beyond galleries. Every artwork sold became an opportunity to support meaningful causes. Through exhibitions, collectors, friends, former students, and her family abroad, proceeds have supported the National Association for the Blind, temples, and charitable organisations across India, the UK, and the USA. Knowing that her art could create real impact became her greatest reward.
While many artists explored conventional mediums, Dr. Panth chose to specialise in sand painting. Combining sand, acrylics, and layered textures, she created works inspired by temples, sculptures, and Indian heritage. Each painting required patience, precision, and nearly ten days of dedicated work, but every finished piece carried a tactile story unlike any other.
Her first solo exhibition in Bengaluru became more than a showcase—it became a way to give back. She exhibited at Café Down the Alley, sold eight paintings, and donated the proceeds to Sadhguru's Cauvery Calling initiative. That experience changed how she viewed her art forever.
Retirement became a new beginning for Dr. Panth. She enrolled in an art program for senior citizens, where she explored oil painting, acrylics, charcoal, and eventually discovered the unique medium that transformed her artistic identity—sand painting. Its textured surfaces and sculptural depth fascinated her. Within months, one of her first sand paintings won Fourth Prize at an All India Art Competition, giving her the confidence to begin again.
She spent 35 years teaching Economics at Osmania University while writing books for postgraduate students and nurturing her artistic practice quietly in the background. Though her career flourished in academics, creativity never left her it patiently waited for the day she could devote herself to it fully.
Art was always a part of Dr. Prabha Panth’s childhood. Growing up in Hyderabad, she watched both her parents sketch, paint, and create handmade crafts. Greeting cards, drawings, and creative experiments filled their home. Although she dreamed of pursuing Fine Arts, she chose Economics and completed her PhD at Osmania University keeping art alive as a lifelong companion rather than a profession.
